If anything characterizes the work of art is its capacity for development and constant rereading. Obviously, I mean the notion of openness: the potential of the works to cause the plurality of meaning, interpretation and artistic discourse. A notion that it is worth remembering from the criticism or art history at a time when explanations abound. The "explanation" by definition closed the speech, abortion art project in the ease of consumption. Faced with the truism that prevails in the current scenario, both in building itself and on reflection, it is necessary to carry out attempts to go beyond the basics, analysis operating in the territory has been the defining the future course of art in this century, the complexity. In short, this is a way of thinking back maverick who inquires about the whys and wherefores of the artistic. Dismember and dissect all elements that come into play in a play, locate each of their strategies, looking sharply, scrutinize, and perhaps (but not essential) in order to offer some explanation, which is never final but open again your question.
This raises a problem of interpretation: either you take all the elements that come into play in the work or is explained only a part. It is lawful to do partial studies provided that demarcates the field of action, but should further into more complex analysis that placed in a broader context, the claims of the Artist, including the contradiction of a painting-object and attempted self-referential perform a work depends on a few explicit references. The paint is where it all occurred and from which will happen in every viewer.
His busy life for some, self-pity for others is what brings them to their limit, is a perfect parallel to explain his work in biographical terms. His works are intense paintings that reaches the limits of the canvas and re-enters in a whirlwind of motion and passive in that it establishes the connection with the viewer questioning not only its production but in the context of it. The act of painting is strong, pure fruit subjective expression of existential anxiety. And, of course, unequivocal and direct all that energy and frustration is transmitted to the viewer: In these paintings emanates an intense energy, and produce an immediate impact on the viewer, leading to intervene more as an active participant to passive observer.
STUDIES
- PROFESSIONAL STUDIES AND / OR TECHNICAL
- UNIVERSITY ARCHITECT St. Thomas Aquinas, 2002 · TECHNICAL ASSISTANCE IN FINE ARTS, EAFYS, 2009
SEMINARS
? Refresher First Hall CONSTRUCTION MATERIALS, Bucaramanga, 2000
? FIRST INTERNATIONAL CONFERENCE ON ARCHITECTURAL MEMBRANES "THE FIFTH building material", Bucaramanga, 2000
? ARCHITECTS INTERNATIONAL MEETING "THE FUTURE OF THE TRADE", Bucaramanga, 2000
WORKSHOPS
- REGIONAL WORKSHOP, WRITE and manage them THINK Preparation and formulation of cultural projects, Bucaramanga, 2009
MAJOR ACHIEVEMENTS
? 1997. CROWN CONTEST academic merit,
ACADEMIC PROJECT: COUNTRY HOUSE
CORONA REGIONAL SANTANDER
BUCARAMANGA
FIRST PLACE
? 2003. CONTEST PRIVATE COMMERCIAL REMODELING CENTER STAGE HEAD 1
Bucaramanga,
SECOND PLACE
PUBLICATIONS
- 2010. 5 YEARS OF LOVE POETRY, DEBUT LYRIC, POETIC BICENTENNIAL TWO POEMS, IY II, JANUARY - FEBRUARY 2010, Bucaramanga, Santander
TELEVISION PRESENTATIONS
- 2010. CANAL TVC. Tell Us Your Story Day, Women, Women Artists, Bucaramanga, Santander
CONTESTS
- 2010. FIFTH ANNUAL SHOW PAINT BINATIONAL organized by the Foundation Center Rotary doctor Dr. Pablo Puky, San Cristobal.
Jury Admission: Director of Visual Arts Museum of San Cristobal and the Director of the School of Visual Arts in San Cristobal.
Jury composed of a board member of the Medical Center, a professor of Art at the University of Bucaramanga and a representative of the University of Táchira.
PROJECT PARTICIPANT: "DEMONS OF MY SOUL"
EXHIBITIONS
- 2009. 20 contemporary artists, Museum of Contemporary Art & postmodern EAFYS, Piedecuesta, Santander
- 2009. CHROMA VISUAL EXPOSURE, House of Culture Francisco Mantilla de los Rios, Girón, Santander
- 2010. MARCH MONTH OF INDIGENOUS PEOPLE IN THE TOTAL BOOK HOUSE, LibroTotal House, Bucaramanga, Santander
EXHIBITIONS
- 2010. ART AND DINNER, Restaurant La Parada, Bucaramanga, Santander
Colombia
